J. Horwitz & P. Singley (eds.) Eating Architecture, Cambridge, Massachusetts London: MIT Press, 2004.
Architecture’s relation to cuisine is inextricably bound up with spatiality of meals, and the evolution of hosptiality. Food is the axis in the social production of space. A must read for any aspiring amphitryon:
This collection of essays explore the relationship between food and architecture, asking what can be learned by examining the (often metaphorical) intersection of the preparation of meals and the production of space. In a culture that includes the Food Channel and the knife-juggling chefs of Benihana, food has become not only an obsession but an alternative art form. The nineteen essays and “Gallery of Recipes” in Eating Architecture seize this moment to investigate how art and architecture engage issues of identity, ideology, conviviality, memory, and loss that cookery evokes.
The essays are organized into four sections that lead the reader from the landscape to the kitchen, the table, and finally the mouth. The essays in “Place Settings” examine the relationships between food and location that arise in culinary colonialism and the global economy of tourism. “Philosophy in the Kitchen” traces the routines that create a site for aesthetic experimentation, including an examination of gingerbread houses as art, food, and architectural space. The essays in “Table Rules” consider the spatial and performative aspects of eating and the ways in which shared meals are among the most perishable and preserved cultural artifacts. Finally, “Embodied Taste” considers the sensual apprehension of food and what it means to consume a work of art. The “Gallery of Recipes” contains images by contemporary architects on the subject of eating architecture. — Taken from the blurb
Table of contents
Eating Architecture
Edited by Jamie Horwitz and Paulette Singley
Acknowledgments | ix | |
Prologue: Cuisine as Architectural Invention Phyllis Pray Bober |
1 | |
1 | Introduction Paulette Singley and Jamie Horwitz |
5 |
Place Settings | ||
2 | Culinary Manifestations of the Genius Loci Allen S. Weiss |
21 |
3 | Taste Buds: Cultivating a Canadian Cuisine Susan Herrington |
33 |
4 | Consuming the Colonies Patricia Morton |
51 |
5 | Local Food Products, Architecture, and Territorial Identity Ferruccio Trabalzi |
71 |
6 | Too Much Sugar Clare Cardinal-Pett |
91 |
Philosophy in the Kitchen | ||
7 | Cuisine and the Compass of Ornament: A Note on the Architecture of Babette’s Feast Daniel S. Friedman |
115 |
8 | Gingerbread Houses: Art, Food, and the Postwar Architecture of Domestic Space Barbara L. Miller |
131 |
9 | Science Designed and Digested: Between Victorian and Modernist Food Regimes Mark Hamin |
151 |
10 | The Missing Guest: The Twisted Topology of Hospitality Donald Kunze |
169 |
11 | Semiotica Ab Edendo, Taste in Architecture Marco Frascari |
191 |
Table Rules | ||
12 | Morning, and Melancholia Laura Letinsky |
207 |
13 | Table Talk David Leatherbarrow |
211 |
14 | Food to Go: The Industrialization of the Picnic Mikesch Muecke |
229 |
15 | Table Settings: The Pleasures of Well-Situated Eating Alex T. Anderson |
247 |
16 | Eating Space Jamie Horwitz |
259 |
Embodied Taste | ||
17 | Butcher’s White: Where the Art Market Meets the Meat Market in New York City Dorita Hannah |
279 |
18 | Delectable Decoration: Taste and Spectacle in Jean-Francois de Bastide’s La Petite Maison Rodolphe el-Khoury |
301 |
19 | Dali’s Edible Splits: Faces, Tastes, and Spaces in Delirium John C. Welchman |
313 |
20 | Hard to Swallow: Mortified Geometry and Abject Form Paulette Singley |
339 |
Contributors | 361 | |
Index |
365 | |